The frustrations and aspirations of the most famous outlaw from Korean pre-modern literature echo a story of modern Korea.
‘Wanting privacy in a police state was sheer stupidity’—to tell the stories of her family in China without the threat of censorship, Yang Huang had to look beyond Mandarin.
What the painful process of learning Korean, the language spoken by those who love me, has taught me about facing rejection as a writer
“It seems that reading Kim Hyesoon in English and from the United States entails a radical re-positioning of one’s reading perspective, from imperial center to the vanishing point.”
From Pearl Buck’s “The Good Earth” to the FBI files of HT Tsiang, a journey into the archives with Hua Hsu
Indentured labor in the Caribbean marked the beginning of disease, dependencies, prejudices, and ills that continue to plague Indo-Caribbean communities
As immigrant communities reshape Tennessee’s racial landscape, how the state has become a breeding ground for anti-Muslim sentiment
Solving the mystery behind a Chinese Indonesian writer’s forgotten account of the final years of Dutch colonial rule through Indonesia’s armed revolution
Writers respond to Trillin’s doggerel “Have They Run Out of Provinces Yet?”
The artist’s interactive graphic novel adaptation of Nam Le’s “The Boat” is an entry point to a conversation about refugees today
It was just the right and wrong moment to leave, to go to China, to live in a country where the weight of blackness might not hinder your breathing. And yet, there were things you were afraid of losing.
In Huan Hsu’s The Porcelain Thief, the search for a family treasure unearths the spell of nostalgia
New York City through Marlon James’ Booker Prize-winning novel
An imaginary setting gave me, a child of immigrants, the authority to write about belonging unquestionably to one’s surroundings
Sustainable eating can often feel like the privilege of a well-heeled elite, but how do the appetites and labor of New York City’s immigrant communities fit into the picture?
As George Takei’s Allegiance makes its way to Broadway, a look back at how choreographer and dancer Michiko Iseri went from the Heart Mountain incarceration camp to the first production of The King and I in 1951
When spell check doesn’t recognize your name
‘My father had seen us wrestle the men, had seen our bodies thrown into the sea of their desires, had seen my mother part the waves: Samira en Moses, minus divine intervention.’
‘For me, who grew up and became an adult during the New Order period, I was conscious of a historical and political absurdity. I began to feel that there were some Indonesians who had become invisible.’
Debut novelist of The Hundred-Year Flood talks lower-body ghosts, communication subterfuge, and American entitlement
19 writers respond to Michael Derrick Hudson’s yellowface
‘We saw innocence and wisdom in the dark, leather-faced fishermen in Colaba, their broken down canoes resting ashore amidst tin shanties with colorful blankets bleached by the sun and salt of the Arabian Sea’
Brooklyn, Opium, Diaspora, Imodium. The celebrated writer in conversation on the release of River of Smoke in 2011
Modern Indian artists looked westward after Partition, away from the nation. An exhibit of two periods of avant-garde Indian art juxtaposes their work with contemporary artists, who ask how India can awake as a nation.
What recent race scandals by avant-garde poets Kenneth Goldsmith and Vanessa Place have to do with sunglasses, the invention of the fingerprint, and the atom bomb.
Bushra Rehman’s “Two Truths and a Lie” writing workshop was held up at gunpoint last fall. Three writers tell the story of what happened and join a conversation about gentrification and police violence in NYC.
How the feel-good politics of multiculturalism have blinded the literary world to the roots of racial inequality
In a country where every other street corner, rice field, or pagoda is potentially the former site of a mass crime, how Cambodia has imagined collective reparations after the Khmer Rouge
Coming to terms with grief after the 2011 Tōhoku earthquake and tsunami
Amarnath Ravva’s American Canyon gravitates between Northern California and South India as he reenacts rituals and shares histories of both his homes.
With alluring and peculiar prose and a playfully erratic approach to structure, Ghalib Islam’s debut novel mirrors the anxiety of buckling under the burden of surveillance.
“I fear that we’ll remember Fred’s evocative style, but forget his penetrating political substance.” On remembering what not to forget.
Treating the invisible wounds of America’s violent past, Rajkamal Kahlon edges closer to finding peace in herself.
“Fred Ho flooded my ears with essential facts about the history of Afro-Asian political and cultural struggle”
Shyam Selvadurai’s latest novel reckons with the violence that haunts the lives of many in post-war Sri Lanka.
What the marginalization of Asian Americans in an exhibition at the National Portrait Gallery says about the appropriation of “cool.”
How Bollywood demo musician Charanjit Singh peered into the future of electronic music
The sounds of Taipei, from farting mopeds to bustling night markets, unfold through tracks by Joy Division, Asobi Sekksu, Dum Dum Girls and more
“It’s always easier to fast with another person. We feed each other our hunger.”
A look back at the history behind ‘American Born Confused Desi’ and where it’s gone since
A review of Matthew Olzmann’s Mezzanines
Yuri’s indefatigable effort to build solidarity among all activists and oppressed people is what many will likely see as the hallmark of her legacy.
In response to the Tiananmen Square protests and crackdown of 1989, the Asian American Arts Centre organized a landmark exhibition of artworks. To commemorate the protest’s 25th anniversary, The Margins partnered with Creative Time Reports to interview the artists involved.
“…I was more apprentice than student, and he was more family than friend. Our time together bridged the waters of music and delved into politics, healing, life, and death.”
In 1999, Fred Ho reflected on his political and musical evolution, from the Asian American Movement on.
“Spock was good in math and science; so was I. Spock tended to suppress his emotions (his human side), and so did I.” Fred Ho on coming of age.
A former student recalls the ups-and-downs of Ho’s cult of personality.
Colleagues, collaborators, and friends remember political and musical visionary Fred Ho.
A review of Zia Haider Rahman’s In the Light of What We Know
Gaiutra Bahadur unearths buried stories of indenture—those of women who battled rigid patriarchy on either side of the black water.
Lessons on how life in the US was worth much more if spent in solidarity with those who suffer at its heel
“Asian American Poetry” is not a manageable category—it is not a list.
How fear of the “the mob” turned into racial exclusion. Excerpts from a recently published archive of anti-Asian fear
Where the “Yellow Peril incarnate” meets one novelist’s depictions of China and its diaspora in the early 20th century
Remembering Agha Shahid Ali, 12 years after his passing
Salman Rushdie’s multitudes, from his visionary early work to the celebrity he has become
100 years on, how lessons from the Ghadar movement show the limits of civil rights efforts in the US today.
On the centenntial of its founding, a short history of the Ghadr Party, and the ghosts that live on
Rahul Mehta and new pathways for the hyphenated writer
The legacy of an intellectual friendship in an age of Islamophobia—on the 10-year anniversary of Said’s death.
Notes for a hypothetical interview with the author re: Taipei, living in the present, memory, moral responsibility, technology, zen, etc.
Bill Cheng, Anthony Marra, and the freedom to write what you don’t know.
Where Asian Americans fall in our broken criminal justice system
Scholar Vivek Bald chronicles an early lost history of a time of Black-Bengali racial solidarity
“I logged onto the Internet and searched for others like me. I never found them, but I invited them over to my hotel room anyway.”
“The commodity aesthetic of cuteness, the discursive aesthetic of the interesting, and the performative aesthetic of zaniness help us get at some of the most important social dynamics underlying life in late capitalist society today.”
In an excerpt from a forthcoming book, English professor Min Song reflects on undergraduate “Great Books” courses, the Helen Vendler-Rita Dove debate, and the first time he read a Siu Sin Far story.
Cultural critic Rey Chow discusses her new book—including how the acclaimed Austrian filmmaker’s “staging of the extreme” gestures toward the pornographic.
“Stay with the music, that’s all it’s about anyways.” A night with legendary Chinese jazz pianist Xia Jia.
The director’s slow-moving films about Tibetan life may feel like documentaries, but according to him, they aren’t.
Following in the footsteps of Dorothea Lange, who photographed stoic, suffering faces during the Depression, the Chinese-born artist traveled across recession-worn America, capturing a different sort of face.
Buwei Yang Chao’s famed 1945 cookbook helped coined the phrase “stir-fry.” “Wrapling” and “rambling,” her words for the simple and ruffle-edged dumplings, were less successful.
“I want a literature that is not made from literature.”
Make no mistake, the pinnacle of all graphic notation is emoji.
It’s the year 2352, and the Walrusoids are at it again, speculating over divorce, SB 1070, some tall Asian guy named Jeremy Lin, and movie theater masturbation.
An alarming new documentary blames China for America’s woes.
In Athens, an historic square and neighborhood now home to porno theaters, sex stores, and “café” brothels, is alive with immigrants—until it isn’t.
At the Japanese American internment camp site, an art exhibit featuring photographs of Muslims has been the subject of complaints.
The veteran comedian, actor and director was the epitome of Hong Kong’s ’90s-era mo lei tau subculture.
Poet and journalist Luis H. Francia journeys through Japan, bearing witness to the devastation wrought by the 2011 earthquake and tsunami—and to the creativity arising from these very areas.
Diver Vicki Manalo Draves won two gold medals in rations-enforced London. To celebrate, she ate horse.
Matthew Salesses on the power of words and appearances.
How did a multinational corporation like Nike appeal to diverse markets without violating the principle of colorblindness that became increasingly and insidiously sacrosanct in the U.S. in the 1990s? A deconstruction of two infamous Tiger Woods ads sheds some light.
How do you get from Cindy Sherman, to Nikki S. Lee, and back?
Can a movie that explicitly demonstrates the darkest grotesqueries of pornography actually function as a refusal to condemn it? Tsai Ming-Liang’s The Wayward Cloud hints at this possibility.
“Pacquiao became the second man in boxing history to win world titles in six different weight divisions. There he was: our uncle, our Tito, our brother, our kuya.”
“Since their submission was purely auditory, no one at Sprite realized they were Asian American.”
Former Marine mess cook John Gun Pin knew how to handle a cleaver. Harley Spiller (a.k.a. Inspector Collector) remembers his old friend, and the last dish he prepared: cured crab, or ha cha.
Over the course of the ’90s, Filipino American scratch crews transformed the realm of hip-hop DJing.
On the domestic terror of the 1990s, and avoiding cultural amnesia.
A Grantland writer and Nirvana fan ponders the quintessential ’90s question.
An up-close and personal take on the hip-hop group’s love of kung fu.
Spy novels as Asian kitsch.
A love letter to the magazine that defined a generation.
It was a banner year for Asian American narrative films.
In the year 2352, they scratch their heads over Instagram, Mitt Romney, Kony, and Siri.
The British desi band’s kitschy, three-chord hit appeared on episodes of Friends and in a Gap commercial.
The ‘90s saw Western designers outsourcing not just manufacturing, but inspiration, to Asia.
Author, professor, and provocateur Amitava Kumar has a very specific question for New York City book clerks.
Delhi-based reggae MC Taru Dalmia travels to villages in India to record songs that speak truth to power.
The singer stars in Coldplay’s perplexing (and embarrassing) “Princess of China” music video.