Oh Mars, you mistook me / for someone / I briefly was. / Girl alight / with impending loss, / vessel for bearing / out an arch / -itectural illusion. A wall / isn’t truly built / to exclude, but to instate / something worth defending.
Join us for a special evening featuring three Arab American writers exploring the boundaries between personal and political: novelist/poet Hala Alyan and poets Hayan Charara and Marwa Helal. From the Six-Day War and the invasion of Iraq to explosive poetic experimentations, these writers explore what it means to have a private self, a family space, and a home in the conditions of war, displacement, and migration. They’ll speak with novelist and former AAWW Open City Fellow Tanwi Nandini Islam.
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In Hala Alyan’s novel Salt Houses (Houghton Mifflin Harcourt 2017), a six-decade-spanning multigenerational Palestinian novel, Salma reads her soon-to-be-married daughter Alia’s future in a cup of coffee grounds. She sees their family’s future: being uprooted in the Six-Day War of 1967, leaving their home in Nablus, and Alia moving to Kuwait, which is soon invaded by Saddam Hussein in 1990. As Alia and her family lose their home, the novel spans Beirut, Paris, and Boston and tells a lyrical story of refugee displacement, assimilation, and migration. (Alyan has named Jhumpa Lahiri and Amy Tan as influences.) Novelist Ru Freeman writes: “Salt Houses is a piercingly elegant novel that registers Palestine with deep resonance for what it is: a once beloved home, known, lost, and re-imagined into life. A place where families decide between security and happiness, religion and heritage, where war is constant, yet peace is found. In the exquisite prose of a poet, Hala Alyan shows how we carry our origins in our hearts wherever we may roam, and how that history is calibrated by the places we choose to put down roots. This is a book with the power to both break and mend your heart.” Alyan also wrote three poetry collections: Atrium (Three Rooms Press 2012), an Arab American Book Award winner; Four Cities (Black Lawrence Press 2015), an exploration of global spaces like Gaza, Ramallah, Haifa, Beirut, Tripoli, Baghdad, Detroit, Paris, and Brooklyn; and the Crab Orchard-winning Hijra (Southern Illinois University Press August 2016)--the latter two of which we celebrated in our space. Read her poems in AAWW’s The Margins here.
Poet and journalist Marwa Helal is working on a project that incorporates writing, photographs and dreams to explore the failed US immigration system through human stories of immigrants who have struggled to gain citizenship. She is the author of I AM MADE TO LEAVE I AM MADE TO RETURN (No,Dear/Small Anchor Press, 2017) and Invasive species (Nightboat Books, 2019). Born in Al Mansurah, Egypt, she is the recipient of fellowships from Poets House, Brooklyn Poets, and Cave Canem. As Bhanu Kapil wrote, when judging Marwa the winner of Bomb’s poetry contest, “Displacement, trauma, and the desire for cultural and institutional revenge happen simultaneously in these poems. Helal has given us poems that speak, obey something beyond the page, and scream. In these visceral and deeply political poems, she is dreaming a radical modernity, marking the raw bits of love, community and loss when and as they come.” Read her poems “The Middle East is Missing” and “Poem to be Read from Right to Left.”
Hayan Charara’s tragic, loving new poetry collection Something Sinister (Carnegie Mellon 2016) explores the conflict between the personal and political, cultural and aesthetic--from domestic violence to the war in Iraq, from losing one’s parent to the rupture on language borne by the War on Terror. Praising the book’s “fearless love” and “expansively tender vision,” Fady Joudah lauded Something Sinister for the way it connected “the deeply private in American poetry” to “the immensely public at the world stage.” And as one reviewer writes of the book’s opening poem, “Being Muslim”: “The title would seem to embrace the role of speaking on behalf of a collective identity, a role that contemporary politics thrusts upon someone who is, for example, a Muslim and Arab and American in the age of the “forever wars” or the “war on terror,” terms that have served to mask the racism of the violence they name. Yet having assumed the mantle of collective identity, the poem offers the personal, the intimately known.” Born in Detroit to Arab immigrants, Hayan is the author of The Sadness of Others (Carnegie Mellon 2006), and The Alchemist’s Diary (Hanging Loose 2001). His New Voices Award-winning children’s book The Three Lucys (Lee & Low 2016) explores his family’s experience of war in Lebanon. An NEA Fellow, he edited Inclined to Speak (University of Arkansas Press 2008), an anthology of contemporary Arab American poetry.
Tanwi Nandini Islam is the author of Bright Lines (Penguin 2015), the story of the Bangladeshi Saleem family and their return to Bangladesh, where they must confront the demons of their past alongside the ones of the present. The book was a finalist for the Center for Fiction’s First Novel Prize. She is the founder of Hi Wildflower Botanica and served as an Open City Fellow for the Asian American Writers’ Workshop, where she wrote about a South Asian women’s coop and interviewed novelist Nayomi Munaweera.
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Come hear two crucial novelists who’re narrating the colonial and postcolonial nation. Stay to chomp on free Burmese food. We’re celebrating the new novel by author-actress Charmaine Craig: the semi-autobiographical epic, Miss Burma. Pulitzer Finalist Laila Lalami calls the book “a sweeping novel of Burma and its complicated history, told from the perspective of people whose voices have been systematically erased from the official record.” Charmaine will talk with Maaza Mengiste, whose novel Beneath the Lion’s Gaze tells the last days of Ethiopian ruler Haile Selassie and the 1970s Ethiopian Civil War. If you loved Min Jin Lee’s Pachinko or Chaitali Sen’s The Pathless Sky, don’t miss this thrilling discussion of late colonial violence, mass revolt, postcolonial malaise, and the personal stories that comprise history from below.
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$5 SUGGESTED DONATION | OPEN TO THE PUBLIC
Charmaine Craig’s Miss Burma (Grove Atlantic 2017) tells the story of Myanmar from British colonial rule to the assassination of Aung San and the student protests of 1962. The focal point are two characters loosely based on Craig’s grandparents: Benny and Khin, a member of the persecuted Karen minority, who both go into hiding during the Japanese occupation during World War II―a journey that will have historical ramifications. The novel follows Aung San’s ascension and assassination and the country’s subsequent civil war, a brutal conflict through which the state viciously targeted the Karen minority. Miss Burma also follows Benny and Khin’s eldest child, Louisa, who becomes the country’s first beauty queen but must reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the Karen cause. A rich, subtextually layered novel that’s stylistically reminiscent of Sara Suleri’s Meatless Days and John Berger’s G, Miss Burma is―in the words of Aminatta Forna―a book that explores “how we are all actors in our histories and the histories of our nations.” A professor at UC Riverside, Charmaine Craig wrote the novel The Good Men (Riverhead), a national bestseller translated into six languages. She previously worked as an actor in film and television.
Addis Ababa-born Maaza Mengiste’s debut novel Beneath the Lion’s Gaze (Norton 2011) narrates the Ethiopian civil war through dual characters: Emperor Haile Selassie, depicted in his last days before revolution, and Hailu, a respected doctor who must protect his family from violence and is also asked by the regime to treat a tortured political prisoner. Named one of the 10 best contemporary African books by The Guardian, the novel led the New York Times to state that “Mengiste joins a group of other young Africans writing in English [like Chris Abani and Chimamanda Adichie] whose subject is the continent’s postcolonial civil wars. They are unafraid of depicting the vicious violence Frantz Fanon’s ‘wretched of the earth’ are capable of and showing how Fanon’s colonially oppressed grew into master oppressors themselves.” A contributor to the New Yorker and Granta and named a new literary idol by New York magazine, Mengiste served as a writer for the social-activist documentary film GIRL RISING, which features the voices of actors such as Meryl Streep, Liam Neeson, and Cate Blanchett.
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Photo Credit: Roy Zipstein..