From its very beginning this story is fated to be exposed by the light.
They always had us at hello, the Americans.
The author of Sorry to Disrupt the Peace reflects on writing out of desperation, Fiona Apple, and the novel as a ghostly space.
The award-winning writer talks about her new acclaimed short story collection, the anxiety of exile, and figuring out which narrative you belong to.
Scotch-taped at the mirrors’ edges were photographs of birthdays, family vacations, running in the rain. Their edges had curled from sixteen years of steam from hot showers and baths.
The author of How I Became a North Korean speaks about the power of fiction to give clarity to the world.
‘Where was Mas Han? What was he running from? And why hadn’t he called or tried to get in contact with me? These were my questions, those of a wife, a woman, who had no idea how what had happened would affect the fate of the Indonesian people.’
Debut novelist of The Hundred-Year Flood talks lower-body ghosts, communication subterfuge, and American entitlement
An excerpt from Chang-rae Lee’s On Such A Full Sea
We were both Ahab; the difference was that Einstein, when he set out on the ink-black sea, knew not what monster he had been pursuing.
“It had always been that one of Norton’s fondest dreams—the dream, I think, of many brilliant and overextended men—was that one month, or one year, he’d find himself in a warm place with absolutely no commitments.”
Swati Marquez interviews Bushra Rehman on her new work of fiction, Corona.
An excerpt from Sinan Antoon’s novel, “The Corpse Washer”
Matthew Salesses on the power of words and appearances.