Christine Hyung-Oak Lee talks about her new memoir, the restorative power of writing, the doubling that haunts her life, and why Slaughterhouse-Five is a permanent part of her mind.
The newspapers were quick to christen the members of the underground movement with new names: subversives, communist insurgents, terrorists, guerrillas, rebels. Yet in my mind, they were simply family.
The story behind Japanese artist Rokudenashiko’s arrest for her vagina-inspired sculptures
The author of Picking Bones from Ash on Japanese Buddhism, tsunami survivors, and her trip into the “exclusion zone”