The Leche author’s first novel—set in Hawaii and replete with lush pop-cultural references—can be read as a postmodern YA gem.
A new documentary about the famed Chinese artist and dissident focuses on his activism more than it does his art.
Drum roll, please. The results of our “Gao Kao” contest, co-hosted by Wall Street Journal “Tao Jones” columnist Jeff Yang, are in.
“Only when the Imperial Wang—or as they say in English, “The Wang of Wangs,” is shoved directly in the face of the public, will the Emperor’s potency be fully apparent.”
“Fry these days! Maybe he had been exposed to too many pesticides as an egg.”
Various communications methods are being developed: email, SMS, etc. Do you think the letter is replaceable?
“Assume the fish are swimming in clean, pollution-free water. Assume any cloudiness to be a consequence of naturally occurring solvents or debris.”
Queer poet Ching-In Chen’s letter to her younger self procures its epistolary strength from the loosely connected ideas of the zuihitsu.
“They say to write something new you’ve got to be lost.” An excerpted video conversation featuring the Pulitzer Prize winner and the author of Free Food for Millionaires.
A new novel, written just before the Arab Spring, tells the story of a hacker turned revolutionary.
Part two of an epic conversation between Ashok Kondabolu of Das Racist and Comedy Central comedian Sheng Wang.
Can a movie that explicitly demonstrates the darkest grotesqueries of pornography actually function as a refusal to condemn it? Tsai Ming-Liang’s The Wayward Cloud hints at this possibility.
“Pacquiao became the second man in boxing history to win world titles in six different weight divisions. There he was: our uncle, our Tito, our brother, our kuya.”
“Since their submission was purely auditory, no one at Sprite realized they were Asian American.”
“My father’s warehouse was close to the decayed parts of the harbor, which rambled on into the slums built by smugglers and sailors.”
Former Marine mess cook John Gun Pin knew how to handle a cleaver. Harley Spiller (a.k.a. Inspector Collector) remembers his old friend, and the last dish he prepared: cured crab, or ha cha.
In the first installment of his interview column, “The Cornering,” Ashok Kondabolu of Das Racist chats it up with Comedy Central comedian Sheng Wang. They also traipse the streets of Chinatown. Look out for part deux of this interview next week.
Ying Li talks to her novelist mother, Lin Chang, about the first Chinese-language TV show to be shot in the United States.
A new Twitter feed goes after those who commit the common crime of misspelling Mahatma Gandhi’s last name.
The Tokyo New Wave actress featured brilliantly in films by Ozu, Mizoguchi, and Kurosawa.
A writer joins a protest against a proposed Walmart in L.A.’s Chinatown.
Over the course of the ’90s, Filipino American scratch crews transformed the realm of hip-hop DJing.
On the domestic terror of the 1990s, and avoiding cultural amnesia.
The transnational writer dishes about Law and Order, her favorite drinks, and less-than-romantic writing habits.
A round-up of articles, interviews and videos featuring Salgado, who was recently among the first undocumented immigrants to be featured on the cover of TIME magazine. The artist and activist will be screenprinting at AAWW’s launch party tonight.
A former Rockstar Games developer’s new project about the Iranian Revolution has gotten him labeled a spy.
The leaked playlist for the London Olympics opening ceremony is almost absurdly eclectic, and includes the bhangra track, “Nachna Onda Nei.”
Compared to China’s national university entrance exam, the gaokao (lit., “test you must ace or work as a menial laborer for the rest of your life”), the SATs are a stroll in the park.
Karen Tei Yamashita’s novel of a dystopic ’90s L.A. tangles with both disasters and distractions.
But the media bungles it up with an overly simplistic “Red China” narrative.
A Grantland writer and Nirvana fan ponders the quintessential ’90s question.
The inaugural installment of our publishing advice column. Send our Agony Agents your most pressing book industry questions!
The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.
An up-close and personal take on the hip-hop group’s love of kung fu.
Spy novels as Asian kitsch.
A love letter to the magazine that defined a generation.
It was a banner year for Asian American narrative films.
The artist’s plastic-bag installations caught the attention of the NYPD.
The Aerogrammes author chats about her preferred superpower and her love of Norton Anthologies.
In the year 2352, they scratch their heads over Instagram, Mitt Romney, Kony, and Siri.
Ma-Yi Theater Company pays tribute to Jessica Hagedorn with a special performance.
The author of The Collective chats with AAWW executive director Ken Chen about windsurfing, his writing chair, and the best way to eat eggs.
The British desi band’s kitschy, three-chord hit appeared on episodes of Friends and in a Gap commercial.
On rural Chinese costume jewelry, and eerily quiet portraits.
The ‘90s saw Western designers outsourcing not just manufacturing, but inspiration, to Asia.
Author, professor, and provocateur Amitava Kumar has a very specific question for New York City book clerks.
Delhi-based reggae MC Taru Dalmia travels to villages in India to record songs that speak truth to power.
The singer stars in Coldplay’s perplexing (and embarrassing) “Princess of China” music video.
In Japan, stationery magazines repopulate like bunnies.