‘They love long hours of blackout. / They love this snuffed out match / of a little city. To the dust that separates // stained lace. To the poor / thrum of humidity.’
‘The first boy that I dated weighted down his coif / with so much hair gel that the crest atop his pate / was hard as horses’ teeth’
‘No others no-place/what to do but hoard the remaining solaces’
‘It was the mind repeating itself out of hope— / a mind that inhabits the same metaphor over and over’
‘When I ask, the histologist responds, / Cells have no color. / We use ink to color the slides.’
‘I relinquish / the greatest thing I have / for my greatest wish. / I turn into sea foam. / I learn nothing / ceases to exist’
‘The world has a sleek, hot belly / A cue of white space, an inch or several yawning before the drop, towards volta’
“in the jungle they hide until / the seekers, bearing lime leaves jail / them in the silver night.”
“I didn’t care whether they understood me, then I said, ‘Hello, hello,’ again, soldiers climbed out of their foxholes and looked at me, they couldn’t understand, but they knew where I came from, they just looked at me”
Never / reaching orgasm, / the colony names its price and I, / hot cent of foreign cash, / sell it slant. Daughters / say it with ozone: my sex is a metaphor / for too much / good luck.
Be calm. Soon / we will bear sentimentality, scent / what is lost in these cells with carrion, / asphodel, turpentine, forsythia / blooming somewhere in the dark.
When did I first realize my parents were not infinite? / That I could see the end of them? Past their capes & catchphrases?
eating crabs with your fingers pre-Spanish fork and spoon and pre-KFC native chicken you can be served by dancing feathered natives that is true it all tastes good
how to be clear as the earth without clinging to the sand? / flowing through my hands like water / one seed clings to my palm
‘in the haiku I send her / and the silence she sends back, / hell no, nan da yo, / call it off, snap it shut, trash / it, just let it be, let me be’
She petrified her / Secrets. “About what?” / That she’s been chosen. / “She chose silence.” How? / “Like the light, deeply / Fissured.
How scared God must have been / when the woman who ate all the fruit of the tree he’d planted / was cutting out each red body from / between her legs
“In my desire to be Nude / I clothed myself in fire:— / Burned down my walls, my roof / Burned all these down.”
Such atonalities / caught floating through four centuries / in flagrant delicto bear witness
swimming six thousand feet to the surface / the lights lure curiosity / from a sudden clearing / to the gingerbread house / where a hand has lighted the wick
Upon entering a shrine, it seems to hold ghosts / The belly of an abbess suggests pregnancy / Behind a heavy curtain, the suggestion of people
They send flowers before guns now / all the thorns plucked from the stems. / An order to weave the dirge / before the mortar sings.
as if smell promises taste and always delivers. / Pleasure, when observed, wets into compulsiveness.
If these are ghosts, trace them / in the dismal notes of the gutter, / the window’s drumming murmur
I was the smell of ripe lemons in his oxbone nation. I was never / brave. But, he let me eat butter, held me like an egg.
I will float down the stream / until it ends. / Until it ends, the mines avoid me.
I live inside this world that lives inside / me: in this dream, there is nowhere to hide.
My mother left my father more than once. A favorite / family tradition observed when I was four. / Ten. Eleven. Twelve. Leaving is easier / the second time.
Rage dented the silver / trashcan / “fire-crack” or “schrack”
I went to see what people are really like / in a thousand human ways.
The work of nine ekphrastic poets
I should have pinned you / to that wall, but you have walked already / out of that drawn-on door.
A poem in memory of Eric Garner: “No offense, Officer, if I don’t / take to your charm offensive, or is / it your offensive charm”
“In the smoke, they forget their bare feet / as they see their faces more clearly than ever… No trial can strike down / their small and fragile umbrellas.”
Killed by the Gestapo 70 years ago, today, special agent Noorunisa Inayat Khan inspires with messages in code. A reflection and poem.
What time and place can call you home? are you an epiphany? a question? / Is it something / you only pretended to welcome, something you’ve come to regret?
How to say milk? How to say sand, snow, sow, / linen, cloud, cocoon, or albino?
I don’t teach my girls / to brave the violence of sun, sons, or stings. / When resources run out, don’t sit there and behave. / Abandon hive.
“Eyes will return tonight / with their ghosts / in the shape of tombstones.” On the 25th anniversary of June 4th, 1989.
I look up at the trees. / Like me, they have disrobed. / They have disarmed me
In a collection of poetry and prose, writers respond to the work of Bengali photographers exhibited in Eyes on Bangladesh
My palms cannot hold back the shifting currents. / They can slap a rhythm, hoist / a banner, hold / your face tenderly between them
I hate you, poem, for wanting to know the truth. / The truth is, I trusted the sky. / Trusted it wouldn’t throw things at us
The rivers / and trenches glossed with light / know we are so relentless as to plan / for catastrophe
The key to enjoying the jubilant, fleshy dread of Feng Sun Chen’s supercut poem is appreciating what one might call the bodily turn in poetry.
Poetic responses to the literature of the Ghadar movement
Four Poems by Victoria Chang
Jennifer Kwon Dobbs, inquiring into a poetics emerging from the adopted diasporic condition, guest-curates a portfolio of poems for The Line Break.
Ocean Vuong, in search of the “new erotic,” guest-curates a portfolio of poems in time for Valentine’s Day.