Perhaps it doesn’t matter what’s in my hands, but how my hands hold
This piece is part of the 随筆 | Zuihitsu notebook, which features original art by Satsuki Shibuya.
Days carousel, clumsy with worry. What else to do but show up
for friends—hello, loved ones. I come with apples.
I heard somewhere that human cells regenerate every seven years, head to toe.
A new self. But that’s a lie.
On my right butt cheek, a birthmark. Dark brown on light brown.
Sometimes when I shower, I kiss my own shoulder without thinking.
Why wait for someone else?
I carry much from before: a scar below my lip, appetite for incense at sundown,
a tendency to say yes when I mean to say no.
The carton of organic milk in the fridge won’t expire for another two months.
Americans live longer and longer.
Do I want a durable shelf life?
On the podcast, a pop psychologist markets friendship as the latest public health intervention.
Alone the other day, I ate a rotten blueberry, and it tasted good.
Perhaps it doesn’t matter what’s in my hands, but how my hands hold
a pen, a flower stem, a lover’s wrist.
To have a past—not one—but two and more—and still feel you are beginning.
Body flashes with announcements:
A pop in my knee. A hiss down my wrist. Percussions of doubt. A pang of faith.
Doesn’t the holy book say this is the era: “And now, [s]he reaches [full] strength
in the fortieth year.” (Qur’an 46:15)
Yes, I can hear you, body—can you hear me?