Oh Mars, you mistook me / for someone / I briefly was. / Girl alight / with impending loss, / vessel for bearing / out an arch / -itectural illusion. A wall / isn’t truly built / to exclude, but to instate / something worth defending.
April 25, 2017
In Media Red
I stand at the mirror,
applying Rome. Rome never
the Rome I want, Rome enough
Rome of the thing
itself, my life raised
to its exponent, reddening
in the windchill, Rome under
the pale. I want
to call Rome out, to reflect
the light at such
and such a wavelength
like Rome, want to want
the length of wanting
without losing
wishing
for Rome avant
the coming guard,
warmth leaving
under a blue light.
The page reddens me
with knowledge
but still I apply
myself thus,
making Rome again
the wound
so easily pressed.
In a Roman Story
Rhea begets Remus,
begets Romulus. Or
is it Romulus
begets Remus, begets
Rhea Silvia? Narrative never
advanced the dead
nor the good-as-dead.
No one remembers
her back on his sweatshirt,
spread on the desk
in a ritual sacrifice. That wasn’t
what she wanted: she asked
to face the wall
to more fully be
-come the gate he sought.
Oh Mars, you mistook me
for someone
I briefly was. Girl alight
with impending loss,
vessel for bearing
out an arch
-itectural illusion. A wall
isn’t truly built
to exclude, but to instate
something worth defending.
A Roman on the road
is still a Roman, a god
in a mortal bed is still
a god. A woman
in prison is the very
definition of a woman.
You may read her
as the victim
or the villain, as it suits.
You fail to consider
a cell’s advantage:
structural conditions
made visible, physical.
And then he put her
on her back, and then
he said he loved her. He passed
through; the gate shut.