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E. Tammy Kim

E. Tammy Kim is a contributing writer at the New Yorker, a 2022 Alicia Patterson Fellow, and a fellow at Type Media Center. She was an AAWW Open City fellow in 2012–13. Find more at etkwrites.tumblr.com, and follow her on Twitter @etammykim.

By E. Tammy Kim:
“Cut Down the Quotes . . . Include Only Gemlike Phrases”
Doo-Ri Chung: Even Couture is a Man’s World
Dai Sil Kim-Gibson: In Mourning, a Filmmaker Turns to Writing
The M15
Compromise City: A Battle Over Affordable Housing
Before and After: Chinatown’s Chatham Square
New DREAMs: Lis, 24
11 Allen Street: Portrait of a Chinatown Housing Struggle
New DREAMs: Jeff, 20
VIDEO: Classic Coffee Shop, Thirty-Six Years on Hester Street
What Separates Welfare from Work
Magical Mystery Tour: Chinatown’s Underbelly with Novelist Ed Lin
Bachelor(ette) Society
Hettienne Park’s Stage Dive
Lower East Side Memories

Recent Articles

  • ARAB AMERICAN STUDIES
    Poetry
    By Samia Saliba

    ARAB AMERICAN scowls. bares teeth. bares/ ARAB TEETH.

    Two Poems by Cindy Juyoung Ok
    Poetry
    By Cindy Juyoung Ok

    Where was I to look?

    In Memory of Your Hands
    Fiction
    By Alanna XiShen Sun

    I think about your hands when I look at mine

    The Rainforest Speaks: Editor’s Note
    By Min Ke / 民客

    Reimagining the Malayan Emergency

    “The Jungle is Neutral, but…..”: Rainforest Hermeneutics in the Military Training Film
    Essays
    By Nadine Chan

    Malaya’s rainforest in the colonial and military imaginary

    緊急狀態與健忘 | On Forgetfulness and the Emergency: Notes on “Absent Without Leave”
    By Lau Kek Huat

    Malaysian-born filmmaker Lau Kek Huat grapples with the difficulties of visually representing the Emergency

    The Rainforest Speaks: Reimagining the Malayan Emergency | 雨林言說:重新想像馬來亞緊急狀態
    By The Asian American Writers’ Workshop

    Nine essays and stories from a new generation of writers grappling with the Malayan Emergency | 新世代作家的九篇文章和故事探討馬來亞緊急狀態

    樂園 | Paradise
    Fiction
    By 鄧觀傑/Teng Kuan Kiat

    但巡迴遊樂園並不害怕,只要再次拆卸自毀,它們換個地方就可以重新活過來。
    | As long as the traveling carnival committed self-destruction, it could come alive once more in a different place.

    Invincible Communists, Invisible Labor, Interwoven Lives
    Essays
    By Fiona Lee

    Three artistic works, recently showcased in Kuala Lumpur and beyond, suggest why it matters that we think about the history of the Malayan Emergency in concert with the contemporary COVID-19 and climate emergencies

    Dispossession
    Essays
    By ZH Liew

    A researcher visits the UK National Archives in search of Malaya.

    Narrating the Emergency from the Other’s Point of View: Between Restitution and Rehabilitation
    Essays
    By Nicholas Y. H. Wong

    An examination of Malayan Emergency fiction’s depiction of Sinophone, Anglophone, and Indigenous points of view

    Traveling through History with Artist Sim Chi Yin
    Essays
    By Faris Joraimi

    Transgressing spatial and temporal bounds through the image

    My Father’s Country
    Fiction
    By Sharmini Aphrodite

    He had once asked his mother to describe his father’s face, a question whose weight he did not recognise until he had been older.

    Into the Rainforest: Translating Hai Fan
    Essays
    By Jeremy Tiang

    How translating the writings of a former Malayan Communist Party member changed me

    Sociologist
    Poetry
    By Sharon Zhang

    You wanted to talk about big / concepts like love as though they’re worth anything.

    Gettin’ Up
    Fiction
    By Julie Moon

    I was angry then. No. I wanted to be just like her.

    “Gamoo”: On Blending Our Words
    Essays
    By Talib Jabbar

    Imagining the future through words and through kin

    Mapping: A Mapping / Jishin-no-ben
    Poetry
    By Lee Ann Roripaugh

    In Japanese, chizu is the word for map. In a sentence:/ Nihon no chizu wa arimasu ka?

    A New Year, a New Way
    Reportage
    By Wally Suphap

    New York’s Thai Community Celebrates Songkran and the Designation of Little Thailand Way

    Looking for the Woman in the Moon
    Poetry
    By Stephanie Niu

    The story gets its sweetness from the detail of catastrophe

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