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Humera Afridi

Humera Afridi is a former Fellow for Open City’s Muslim Communities Fellowship. She is a 2017 NYFA Gregory Millard Artist Fellow in Nonfiction Literature. Her work has appeared in Granta, Guernica, Lithub, and the Journal of Postcolonial Writing among other publications. She is writing a biography of Noor Inayat Khan.

 

By Humera Afridi:
Writer’s Block? What’s That?
Midwood Magic: A Coney Island Philanthropy of Hope
A Spirited Sisterhood: Arab Women Rise [Part 4]
Working Together As One Hand: Arab Women Rise [Part 3]
Your Kids Need Hub! They Need Love: Arab Women Rise [Part 2]
When The Butcher Cries: A Visit to an Organic Halal Slaughterhouse
These Streets are Ours Too: Arab Women Rise (Part 1)
Hitting Your Stillspot
Bavarian Forest
Arena, Performer
A More Fundamentally Caring Economy: an Interview with Ai-jen Poo
Following the Path to Water
Lakshmi’s Night: A Muslim Woman Honors Diwali
The Democracy of Patience: Inside a Polling Station in Queens
Ramadan Meditations: A Muslim Woman’s Journey Towards Faith and Acceptance
Nimboo Paani: Spiced Limeade
Mohammad Zuhoor-ul-Haqq, Spiritual Street Vendor
Jackson Heights Greenmarket: “So Many Accents!”

Recent Articles

  • Two Poems by Javeria Hasnain
    Poetry
    By Javeria Hasnain

    “Silence” and “Contending with ‘You’ After You Are Gone”

    Aperture
    Poetry
    By Rex Ybañez

    I have done it again, crossing / outside the frame into / some brave, new world

    Three Poems by Jewel Cao
    Poetry
    By Jewel Cao

    “Anthill,” “Jericho,” and “Tofino”

    Tasting Notes
    Poetry
    By Madeleine Mori

    After Rebecca Lindenberg

    Wine: Editor’s Note
    By Madeleine Mori

    These writers elegize and scrutinize the liminal spaces between taste, smell, and image, between individual truth and collective meaning-making

    Sandugo
    Essays
    By Vincent Tolentino

    I look into the history; I circumnavigate—

    Terroirs
    Essays
    By Sarah Aziza

    I needed the concoctions F poured to quiet the things that grated and grew wilder each year—the confusion of being part white in an Arab country, part Arab in an expat world.

    Kinutil
    Essays
    By Jen Mutia Eusebio

    I know of nothing stronger than the laughter of these women.

    Skin Contact
    Essays
    By Janelle Tan

    I was struck by the world I tasted—woods, Baja California granite, the winter of the grapes’ growth.

    Vampire Plants Talk to Their Victims While Drinking
    Poetry
    By Arah Ko

    There is a waxing // for every waning.

    Locheequat
    Poetry
    By Angela Qian

    Locheequat, fruit of the non-doing.

    Revel Nation
    Fiction
    By Lio Min

    Stars, trees, lasers, lights, everything locking into nothing, everything together yet apart.

    Please, waitress
    Poetry
    By Somi Jun

    I am only the height and width of a girl. 

    after country
    Poetry
    By Xiao Yue Shan

    I speak with the weight of / hours left on this side of the pacific

    生涯 | 생애 | Life
    Poetry
    By Kim Hoyeonjae, Suphil Lee Park

    Translated from Hanja (Old Korean) to Hangul (modern Korean) and then English

    Morning Wine: A Poem by Khaqani Shervani
    Poetry
    By Afzal al-Din Badil (Khaqani), Kayvan Tahmasebian, Rebecca Ruth Gould

    Translated from the Persian

    Wine: About the Art
    By Madeleine Mori

    Su Yu-Xin’s paintings and mixed media pieces

    Untitled: A Poem by Saʾeb Tabrizi
    Poetry
    By Saʾeb Tabrizi, Kayvan Tahmasebian, Rebecca Ruth Gould

    Translated from the Persian

    Wine
    Essays
    By The Asian American Writers’ Workshop

    A notebook on alchemy, memory, and sensation

    summer soliloquy
    Fiction
    By Jeff William Acosta

    Because the summer feels more hellfire than hellfire.

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