Events

• May 23, 6:30 PM

  Asian American Classics

  **Please note: due to an administrative error, this event was originally posted as taking place on May 24th-- this event takes place on May 23rd. Join us for a celebration of four canonical Asian American texts recently re-published by Penguin Classics! Whiting Award-winner Alexander Chee reads from East Goes West, Younghill Kang’s 1937 picaresque satire about a Shakespeare-loving Korean immigrant’s sojourn through America. National Book Award Finalist Jessica Hagedorn shares a passage from Carlos Bulosan’s Cultural Front novel America Is In the Heart, which follows a Filipino migrant farmworker affected by imperialism abroad and racial abuse here. New Yorker contributor Hua Hsu touches on H.T. Hsiang’s The Hanging On Union Square, an oddball novel written about the milieu of the early 20th Century Left by an undocumented communist immigrant and Hollywood extra. Don’t miss this perfect opportunity to become acquainted with twentieth century Asian American classics! RESERVE A SEAT! $5 SUGGESTED DONATION | OPEN TO THE PUBLIC Penguin Classics is republishing four Asian American classics, offering a perfect chance for readers to learn more about the rich history of Asian American literature before 1965: The Hanging On Union Square by H.T. Hsiang; East Does West by Younghill Kang; No-No Boy by John Okada; and America Is In The Heart by Carlos Bulosan. Alexander Chee is the author of the novels Edinburgh and The Queen of the Night, and the essay collection How To Write An Autobiographical Novel, all from Houghton Mifflin Harcourt. He is a contributing editor at The New Republic, and an editor at large at VQR. His essays and stories have appeared in The New York Times Book Review, T Magazine, Tin House, Slate, and Guernica, among others. He is winner of a 2003 Whiting Award, a 2004 NEA Fellowship in prose and a 2010 MCCA Fellowship, and residency fellowships from the MacDowell Colony, the VCCA, Civitella Ranieri and Amtrak. He is an associate professor of English and Creative Writing at Dartmouth College. Novelist, playwright, poet, former punk band leader, Jessica Hagedorn is the recipient of the Workshop’s 2011 Lifetime Achievement Award. Her 1996 classic of Asian American literature, Gangster of Love, is part road novel, part immigrant family drama, and all rock ‘n’ roll, and features a character inspired by the poet Al Robles, Tony Robles’s uncle. “Gangster of Love” recently debuted on stage at the Magic Theatre in San Francisco. She is the author of several books, including Dogeaters, a National Book Award nominated classic of Asian American literature, Dream Jungle, and the novel Toxicology (Viking 2011), a Publishers Weekly Pick of the Week. Hagedorn is also the author of Danger And Beauty, a collection of poetry and prose, and the editor of three anthologies: Manila Noir, Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fiction and Charlie Chan Is Dead 2: At Home In The World. She is the recipient of a Lucille Lortel Playwrights Fellowship, a Guggenheim Fiction Fellowship, and an NEA-TCG Playwriting Residency Fellowship, as well as fellowships from the Sundance Theatre Lab and the Sundance Screenwriters Lab. Hagedorn has taught in the MFA Playwriting Program at Yale, and in the MFA Creative Writing Program and LIU Brooklyn, NYU, and Columbia University. Hua Hsu is an associate professor of English and director of the American Studies program. He is also a staff writer at the New Yorker and the author of A Floating Chinaman: Fantasy and Failure Across the Pacific (Harvard University Press, 2016.) He is currently on the editorial board of the Journal of Popular Music Studies, the advisory board of the Center for Experimental Humanities (NYU) and the executive board of the Asian American Writers’ Workshop. From 2014-2016, he was a fellow at New America. This event will be livestreamed on the Asian American Writers’ Facebook page. NOTE ON ACCESSIBILITY *The space is wheelchair accessible. No stairs. Direct elevator from ground floor to 6th floor. *We strongly encourage all participants of the space/event to be scent-free. If you all have any other specific questions about accessibility, please email Tiffany Le at tle@aaww.org with any questions on reserving priority seating. / / // //..
  
• May 29, 6:30 PM

  New Work by Queer Lebanese Writers

  Join us for a special event featuring queer Lebanese writers Andrea Abi-Karam and Jennifer Camper. Selected by Bhanu Kapil for the Kelsey Street Prize, Abi-Karam’s new poetry book EXTRATRANSMISSION is a critique of nationalism, patriarchy, and gender embedded in an explosive trauma narrative. The creator of the biennial Queers & Comics Conference, Jennifer Camper is the author of Rude Girls and Dangerous Women, a collection of her cartoons, and subGURLZ, a graphic novella following the adventures of three women living in abandoned subway tunnels. They’ll speak with poet Rami Karim, a former AAWW Margins Fellow. RESERVE A SEAT! $5 SUGGESTED DONATION | OPEN TO THE PUBLIC Andrea Abi-Karam is an arab-american genderqueer punk poet-performer cyborg, writing on the art of killing bros, the intricacies of cyborg bodies, trauma & delayed healing. Their chapbook, THE AFTERMATH (Commune Editions, 2016), attempts to queer Fanon’s vision of how poetry fails to inspire revolution. Simone White selected their second assemblage, Villainy for forthcoming publication with Les Figues. They toured with Sister Spit March 2018 & are hype to live in New York. EXTRATRANSMISSION [Kelsey Street Press, 2019] is their first book. As Etel Adnan writes: “As the war machine creates new casualties and new ways to produce them, Andrea Abi-Karam creates a new language and a new form to express their desire to shake the American public out of its lethargy…. In these days of indifference to naked reality, Andrea dares be a writer of humanism, they dare to remind us that each one of us is somehow responsible for everything that is done in our name.” Jennifer Camper is a cartoonist and graphic artist living in New York City. Her art examines life from a perspective that is irreverent, female, queer, and mongrel (Lebanese American). Her work often explores gender, race, class, and politics, as well as sexuality, mermaids, and robots. She’s also a cartoon editor, a teacher, and the creator of the biennial Queers & Comics Conference. Her books include Rude Girls and Dangerous Women, a collection of her cartoons, and subGURLZ, a graphic novella following the adventures of three women living in abandoned subway tunnels. She also edited two Juicy Mother comics anthologies. Her cartoons and illustrations have appeared in numerous publications, and have been exhibited internationally. Rami Karim uses ordinary language against consumerist legibility. He is the author of smile & nod (wendy’s subway, 2018) and crybaby (nightboat, 2021), and his work has appeared at MOMA PS1, Pioneer Works, the Poetry Project, Tagvverk and Press Press. He is a former AAWW Margins Fellow. This event will be livestreamed on the Asian American Writers’ Facebook page. NOTE ON ACCESSIBILITY *The space is wheelchair accessible. No stairs. Direct elevator from ground floor to 6th floor. *We strongly encourage all participants of the space/event to be scent-free. If you all have any other specific questions about accessibility, please email Tiffany Le at tle@aaww.org with any questions on reserving priority seating. /\ /\ \/\/ \/\/..
  
• June 6, 6:30 PM

  Margins Fellows & Mentors Reading

      The Asian American Writers’ Workshop’s Margins fellowship was first established in 2014, as a part of AAWW’s 25 year tradition of incubating emerging writers of color. Every year since, we have awarded four writers a year-long fellowship that provides them with financial support, publication opportunities, work space, mentorship, and a residency at the Millay Colony for the Arts. Come celebrate five years of the Margins fellowship with our 2018-19 fellows—Zena Agha, Pik-Shuen Fung, Jen Lue, and Ayesha Raees—and their mentors, writer and former AAWW fellow Ava Chin, novelist Sonya Chung, Rona Jaffe award winner Hasanthika Sirisena, and poet Monica Youn. RESERVE A SEAT! $5 SUGGESTED DONATION | OPEN TO THE PUBLIC THE FELLOWS! Zena Agha is an Iraqi-Palestinian writer and poet from in London, currently based in New York. Her work examines immigration, war and life in the diaspora. Zena’s poems have been translated and published internationally and she has performed at universities and festivals around the US, UK and France. She founded Warwick University’s largest poetry collective, Shoot from the Lip, and is currently a Margins Fellow at the Asian American Writers' Workshop working on a collection of inter-related short stories abour Iraq. Her writing has been featured on NPR, PRI’s The World, WGBH, El País, Skin Deep and Muftah. She was awarded the Kennedy Scholarship to study at Harvard University, completing her Master’s degree in Middle Eastern Studies, followed by a fellowship at Harvard Law School’s Library Innovation Lab. Zena is the US Policy Fellow for Al-Shabaka; The Palestinian Policy Network. Her writing has appeared in Foreign Affairs, The Independent, and The Nation, and media credits include the BBC World Service and BBC Arabic. Pik-Shuen Fung is a writer and artist from Hong Kong and Vancouver. Her writing has appeared in The Margins and Ricepaper Magazine, and was shortlisted for the 2017 Metatron Prize. Her artwork has been exhibited at the Newark Museum, the Katonah Museum, The Frank Institute at CR10, The Secret Theatre, and Beverly’s. She has an MFA in Fine Art from the School of Visual Arts and a BA in Visual Art from Brown University. As a writer, she is drawn to experimental forms, and her prose traverses family history, maternal lineage, and the experience of love and loss in the Chinese diaspora. Jen Lue is a writer and graduate of the MFA program in memoir at Hunter College. She is the recipient of fellowships and residencies from Kundiman, VONA/Voices, Jerome Foundation, Tin House and Vermont Studio Center, among others. Based in Brooklyn, she is a 2018-19 Margins Fellow at Asian American Writers' Workshop and serves on the junior board of Kundiman. She works at The Moth, a national storytelling nonprofit and public radio program. From Lahore, Pakistan, Ayesha Raees identifies herself as a hybrid creating hybrid poetry through hybrid forms. Her work strongly revolves around issues of identity, class, and race while possessing a strong agency for accessibility, education, and change. Raees's poetry cultivate relationships between the word and the image through theatrical performance, filmic visual imagery, and documentary photography. She was the 2018-2019 Margins Fellow at Asian American Writers' Workshop, a recent resident at the Millay Colony For the Arts, and has had work previously published in The Margins, Cherry Tree, and elsewhere. A graduate from Bennington College, she currently lives in New York City. THE MENTORS! Ava Chin is the author of the award-winning Eating Wildly: Foraging for Life, Love, and the Perfect Meal (Simon & Schuster, 2014) and the former Urban Forager columnist for the New York Times (2009-2013). She has written for the Los Angeles Times Sunday Magazine, Saveur, Marie Claire, the Village Voice, and SPIN. She is the recipient of grants & fellowships from the New York Public Library’s Cullman Center for Scholars & Writers, the Fulbright U.S. Scholar program, the New York Foundation for the Arts (NYFA), the Asian American Writers’ Workshop, and New York Institute for Humanities at New York University. She holds a Ph.D. from the University of Southern California, and an M.A. from the Writing Seminars at Johns Hopkins University. She is an associate professor of creative nonfiction and journalism at CUNY. Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers’ Residency, a MacDowell Colony Fellowship, and a Key West Literary Seminars residency. Sonya’s stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, Gotham Writers’ Workshop, College of Mount St. Vincent, and Warren Wilson’s MFA program. Currently she lives in New York City and is Writer-in-Residence at Skidmore College. Hasanthika Sirisena’s essays and stories have appeared in The Globe and Mail, WSQ, Narrative, The Kenyon Review, Glimmer Train, Epoch, StoryQuarterly, Narrative, and other magazines. Her work has been anthologized in Best New American Voices, and named a distinguished story by Best American Short Stories in 2011 and 2012. She is a recipient of fellowships from the MacDowell Colony and Yaddo. In 2008 she received a Rona Jaffe Writers’ Award. She is currently an associate fiction editor at West Branch magazine and a Visiting Assistant Professor at Susquehanna University. She is the winner of the 2015 Juniper Prize for Fiction. Her short story collection, The Other One, was published in 2016. Monica Youn is the author of Blackacre (Graywolf Press 2016), which won the William Carlos Williams Award, was a finalist for the National Book Critic Circle Award and the PEN Open Book Award, and was longlisted for the National Book Award. Her previous poetry collections are Ignatz (Four Way Books 2010), which was a finalist for the National Book Award, and Barter (Graywolf Press 2003). She has been awarded the Wallace Stegner Fellowship at Stanford University and the Witter Bynner Fellowship of the Library of Congress, as well as residencies at Civitella Ranieri, the Rockefeller Foundation – Bellagio, Yaddo and MacDowell. A former lawyer and the daughter of Korean immigrants, she currently teaches at Princeton University and in the Columbia University and Sarah Lawrence MFA programs. This event will be livestreamed on the Asian American Writers’ Workshop Facebook page. NOTE ON ACCESSIBILITY *The space is wheelchair accessible. No stairs. Direct elevator from ground floor to 6th floor. *We strongly encourage all participants of the space/event to be scent-free. If you all have any other specific questions about accessibility, please email Tiffany Le at tle@aaww.org with any questions on reserving priority seating...