While I was doing witness work around violence, I was also always living in a shadow space where I could be safer, where I could be protected, where I was known, where I could not be misread
On the carceral logic of the model minority myth
For eleven / years I lied about where I’m from, / ashamed by the music of endings, // that deep hollow bell. How much of my yearly / tax is spent to bomb the dirt / that birthed me?, is a question // I never wanted to consider.
The writer and teacher speaks on navigating Mississippi’s racial politics and his experience in public education as “forged in violence.”
The sun sieves through the canopy— / rivers are relenting. My soul seats itself // for the first time. Where it is quiet, it becomes cold. / There is nothing I must do but die— // what joy to let go of all things—what ease to give up.
Dissecting the violence of state, warfare, and language
‘So be / domestic, Bambi / no one kills a pet / So sell your flesh / for fabric, Bambi. Leash / your skin to a lawn / meat yourself.’
‘When the Japanese were in power, I realized that the Dutch East Indies with all of its aristocratic ways, was finished. I must have the guts to say goodbye to it. And whatever fate befalls me, I will remain here.’
‘We are given a face, / which means we are given / a vessel of blood to call body, / & lungs–that know the alchemy / of altering wind into breath–the way / plants are always transforming / someone’s last words / into oxygen.’
I look up at the trees. / Like me, they have disrobed. / They have disarmed me
Cultural critic Rey Chow discusses her new book—including how the acclaimed Austrian filmmaker’s “staging of the extreme” gestures toward the pornographic.
Kitamura chats with Hermione Hoby about her new novel, a “collage of colonialism.”