Tuesday, November 12, 2019
‘Night, she tries to define herself but forgets / her skin is already inked into a script.’
Urban university politics, labor strikes, skateboard tricks, probably-canned broth, and more.
How the steering wheel / points nowhere except towards itself. / And such is the spinning of the mind: / everywhere. When we drove into new / cities it was only a different shape of haze.
Writer Ayesha Siddiqi talks to Ashok Kondabolu about growing anti-Muslim anxieties, her new job at Viceland and what keeps people up at night.
Jessica Hagedorn writes about the city of her birth, where “either nothing surprises you, or everything does.”
“I logged onto the Internet and searched for others like me. I never found them, but I invited them over to my hotel room anyway.”
In three decades, the United States will have a “majority-minority” population. We asked four artists to consider this demographic shift. First up is An Xiao Mina, a designer and artist who focuses on the role of technology in building communities.
Originally published in Japanese in 1925, this naturalist noir masterpiece follows itinerant day laborer Ishikawa Sazuko as he prowls the back alleys of Los Angeles, looking for a meal, a job, or just some companionship. With an introduction by translator Andrew Leong.
“I have a mole on the bottom of my foot, and some of my more superstitious relatives told me that if you have a mole on the sole of one foot, you’ll always yearn to visit new places more than most.”
“I want a literature that is not made from literature.”
Don’t you know my face? Didn’t you / break it open? Being beautiful, it’s no crime.
it was such a big no-no that I had this impression of dialects 方方言言 being like swear words, or haram
This involves modulating my voice and accent so that I sound more Malay. It’s like having to work for my right to eat there.
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