Wednesday, September 26, 2018
The author of Ponti talks female ghouls, writing away from the male gaze, and inhabiting trauma through storytelling.
The poets talk creative collaboration, gardening, epistolary poetry, and the intimacy of sentences.
Min Jin Lee talks with Lillian Li about researching and revising a novel, her relationship to her readership, and what’s next in line after Pachinko.
Dickson Lam talks about cultural memory, cross-generational trauma, and familial separation in his new memoir Paper Sons.
Lillian Li talks about immigrant sacrifice, humor, learning from Asian American literature, and her debut novel, Number One Chinese Restaurant.
The author of Carceral Capitalism talks predictive policing, the limits of appeals to innocence, and the price of prisons.
The artist and writer behind South/South talks experiments in social fiction, sharing the secrets of strangers, and writing fictional telegrams by Luis Buñuel.
The author of America is Not the Heart talks commemorating the mundane in fiction, writing about working class queer women, and re-claiming the Bay Area in her novel.
Journalist Jennifer Crandall is re-claiming Walt Whitman’s “Song of Myself” through the voices and stories of the South.
The author of Though I Get Home talks writing against censorship, non-traditional “immigrant stories,” and writing a novel to think through her life.
The Hong Kong poet talks the Umbrella movement, being an outsider and an insider in Hong Kong, and how she translates the world.
The author of Curry talks forced nostalgia, the commodification of curry, and playing with the tropes of South Asian literature.
Writers Yang Huang and Kirstin Chen talk histories of the Cultural revolution, betrayal, and the importance of craft
The American War author and journalist talks climate change fiction, writing in the age of Trump, and reinventing America in his novel.
Writers Gayle Romasanta and Dawn Mabalon are on a mission to write the first Filipino American history book for children.
The author of Everything Here is Beautiful speaks about sisterhood, refusing categorization, and writing about mental health.
The author of Chemistry talks mad scientists, model minority, and defending your imagination as a writer of color.
Two Durham-based activists talk about pulling down Confederate statues, the poetry of displacement and war, and the sustained work behind every protest
Poet Chen Chen talks finding your family, queer Asian American poetry, and Journey to the West.
Comedian Aparna Nancherla talks standup, battling anxiety, and pushing the envelope as a woman of color in comedy
The author of A Good Country talks about the final novel in her Kurdish trilogy, tribal longing, and the work that entertaining literature does
Movimiento Cosecha organizers talk about life after DACA, vulnerability, and a border-traversing undocumented Spiderman
The author of Sour Heart talks about channeling childhood in her fiction, balancing the soft with the scratchy in her stories, and getting tokenized as an Asian American writer.
The author of Goodbye, Vitamin talks about writing her first novel, charting lost memories, and bridging a life in fiction with a life of one’s own.
The writer talks about her new memoir, Olive Witch, subverting her identity, and the tenuous link between memory and writing.
Ashok speaks to Miho Hatori of Cibo Matto about her new creative endeavors, Tokyo versus New York, and what gets lost in translation.
Writers Rowan Hisayo Buchanan, Violet Kupersmith, and T Kira Madden speak to each other about mixed-race identities in life and literature
The writer and teacher speaks on navigating Mississippi’s racial politics and his experience in public education as “forged in violence.”
The poet talks about her debut collection, sharing silenced histories in her writing, and being a “wild girl poet.”
The two poets talk about their literary family trees, poetry as a protective force, and the changing landscape for Muslim American writers.
The author of Sorry to Disrupt the Peace reflects on writing out of desperation, Fiona Apple, and the novel as a ghostly space.
The award-winning writer talks about her new acclaimed short story collection, the anxiety of exile, and figuring out which narrative you belong to.
Ashok Kondabolu speaks to Vijay Iyer about an alternate history of jazz, opening institutional spaces, and the resistance and defiance within music.
Christine Hyung-Oak Lee talks about her new memoir, the restorative power of writing, the doubling that haunts her life, and why Slaughterhouse-Five is a permanent part of her mind.
The author of How I Became a North Korean speaks about the power of fiction to give clarity to the world.
An interview with the Muslim American writer and activist about how Trump has unintentionally made America great
Ashok talks to artist Andrew Kuo about the history of painting, making his own Wu-Tang shirts, and Linsanity
Author Jade Chang talks about her new novel ‘The Wangs vs. the World,’ subverting righteous immigrant stories, and asshole as an endearing term.
‘The Daily Show’ correspondent Hasan Minhaj talks to Ashok Kondabolu about his new one-man show, ‘Homecoming King,’ running away from John Kasich, and the role of comedians in the age of Trump.
The author of ‘Deceit and Other Possibilities’ on mischievous writing, how journalism feeds fiction, and getting to that “good place” in a short story
The author of ‘The Loved Ones’ on what we have a right to expect from novels, love beyond blood family, and moving through anxiety and envy as writer
Writer and activist Jeff Chang talks about code switching, his new book ‘We Gon’ Be Alright,’ Asian American spectator status, and President Obama’s favorite comic book store in Honolulu.
An interview with Bay Area poet, teacher, and artist Mg Roberts on interpreting graffiti, fragmented immigrant narratives, and how everyday is an opportunity to revise
Writer Ayesha Siddiqi talks to Ashok Kondabolu about growing anti-Muslim anxieties, her new job at Viceland and what keeps people up at night.
The author of The Fortunes talks about immigrant survival, our multiple selves, and who tells and receives the Chinese-American story
‘The Night Of’ star Riz Ahmed talks to Ashok Kondabolu about cricket jerseys, patriotism, acting while brown, and race in the UK.
Leland Cheuk and YiShun Lai discuss their debut novels, dysfunctional families, and writing the Asian American antihero
‘Imagination can make things more real than they would be if they were just reported from real life’—the author of In the Country speaks on writing stories of south-south migration and when not to be faithful to a map.
Writer and mental health advocate Esmé Weijun Wang talks about languages, love, immigrant children, and her debut novel, The Border of Paradise
The author talks about her award-winning collection of short stories, which takes us on a contemporary Sri Lankan’s global journey
The author of the The Queen of the Night talks about being possessed by a woman who never lived and how writing fiction is all about bringing to life the thing you see that nobody else can
Journalist and music critic Hua Hsu talks to Ashok Kondabolu about the best and worst of his dad’s record collection and how his fascination with rap beef inspired his upcoming book
In Huan Hsu’s The Porcelain Thief, the search for a family treasure unearths the spell of nostalgia
The Indonesian fiction writer Intan Paramaditha on the political potential of horror and writing as a feminist practice
Debut novelist of The Hundred-Year Flood talks lower-body ghosts, communication subterfuge, and American entitlement
What does it mean to be a guest of honor at the Frankfurt Book Fair? John McGlynn talks about the Lontar Foundation’s role in bringing Indonesian literature to the world and his own path from puppet maker to translator.
Writer-artist-professor Tan Lin talks fictive relatives, the narrative of an immigrant TV culture, and ‘becoming Chinese’ in America
‘in the haiku I send her / and the silence she sends back, / hell no, nan da yo, / call it off, snap it shut, trash / it, just let it be, let me be’
The author of the bestselling novel The Sympathizer talks about reshaping histories of the Vietnam War and finding humanity in the inhuman.
Bhargava, the late director of award-winning film Patang, reminisces about growing up in Chicago and his fascination with India’s festival of kites.
Gene Oishi, author of the novel Fox Drum Bebop, reflects on the Japanese American story beyond the wartime experience.
Poet Don Mee Choi discusses the myth of fluency and what happens when translation is allowed to be hysterical
The writer discusses China before and since Tiananmen, abandoned enemy spies, and how solidarity will build a nation.
The Australian comedian chats about Iggy Azalea, why he doesn’t write jokes for white people, and the power of post-9/11 comedy.
The novelist talks about his favorite samurai movies, the violence of imperialism, and his struggle to remember Japan
“Every word becomes dangerous when words fall into a wave of social movements.”
The 2015 Caldecott Honor-winning artist talks about adoption, race, and visibility in the coming-of-age graphic novel This One Summer.
A conversation about humor, race, and the search for decolonized jokes
Toronto-based graphic novelist Elisha Lim talks about the people behind their latest book 100 Crushes, their Singaporean-Catholic aversion to gluttony, and what jealousy is really about.
The National Book Award finalist and author of An Unnecessary Woman talks about mothers, thievery, and his homebody fabulousness.
Cathy Linh Che talks about her debut collection of poems, Split, and what it means to mimic flashbacks of war, immigration, and sexual violence.
The artist and illustrator of Skim and This One Summer talks about the tension of tween-hood, body types in mainstream comics, and why purple is the warmest color.
An interview with R.A. Villanueva on getting published, what a good GIF and a good poem have in common, and the right way to pronounce GIF
I interviewed Michael DeForge and all I got was a story about needles in a urethra.
Resident comics expert Anne Ishii hangs out with kickass Toronto-based comics publisher Annie Koyama.
An interview with spoken word duo DarkMatter on radical desis, the legacy of Partition, Twitter poems and The Perks of Being a Wallflower
A group of artists, writers, and musicians led by Kelly Tsai is teaming up to put on a multi-media performance based on the work of Ai Weiwei
Mia Kang interviews filmmaker J.P Chan about his latest film, and casting Asian actors in lead roles
An interview with writer and former editor-in-chief of Missbehave magazine Mary H.K. Choi
When Stockton, California was the capital of Filipina/o America. An interview with Dawn Mabalon on the lost history of Filipinos in the organized labor movement, and the stories of women that went untold.
A review of Tarfia Faizullah’s debut poetry collection Seam, and an interview with the poet
Abeer Hoque interviews a celebrated Bangladeshi documentary photographer whose work recently made its way to an exhibit in New York City
An interview with Akhil Sharma, author of Family Life, on how to write a novel that has no plot, literary modernism’s influence, and remembering India
Cultural critic Vijay Prashad and legal scholar Aziz Rana discuss the legacy of multiculturalism, and what’s left of third-world solidarities.
With the novelist who long thought she was a Korean American impostor
The author of Picking Bones from Ash on Japanese Buddhism, tsunami survivors, and her trip into the “exclusion zone”
The L.A.-based music critic-scholar on border crossing, his “West Coast vibe”, and why we should leave the guilt and take the pleasure
An interview with the exiled Chinese poet on writing from prison, false patriotism, and the responsibility of intellectuals
An interview with author Phong Nguyen on his latest book, Pages from the Textbook of Alternate History
An interview with poet Tung-Hui Hu
This Iranian American novelist wants to live forever.
The author of The Boss thinks she might be the only person left on this planet without an iPod—but her poems are certianly full of music.
Swati Marquez interviews Bushra Rehman on her new work of fiction, Corona.
This New York-based poet once dreamt of being a trapeze artist.
On Sunday afternoons, you may often find poet Kazim Ali at the roller rink.
V.V. Ganeshananthan interviews Soman Chainani about his new bestselling children’s book, The School for Good and Evil.
A native son of Chinatown and the Lower East Side, the author of the Detective Jack Yu series makes a mean pitcher of Bloody Mary.
Watch the conversation between the BaoHaus bad boy and the Hot 97 host
Asian American Writers’ Workshop cofounder Marie Myung-Ok Lee kicks off our new weekly Q&A series with writers.
Actor, writer, and father Randall Park shares an hour on the phone with Ashok Kondabolu, recalling his childhood in LA and how he stumbled into acting.
Ashok Kondabolu of Das Racist catches up with documentary photographer Annie Ling at her Brooklyn apartment.
An interview with journalist Hsiao-Hung Pai, whose book Scattered Sand tells the stories of Chinese migrant workers—direct from their mouths.
The two comics chat with fellow comedian Jen Kwok about emergency generators, censorship, and the most-viewed YouTube video in Pakistan.
“I have a mole on the bottom of my foot, and some of my more superstitious relatives told me that if you have a mole on the sole of one foot, you’ll always yearn to visit new places more than most.”
Orhan Pamuk and Mo Yan, Noble Prize winners in Literature, were both writers-in-residence at the prestigious International Writing Program. An interview with IWP’s current director about one of the program’s founders, the remarkable Chinese novelist Hualing Nieh.
Stereogum editor Amrit Singh has a hang with Das Racist hypeman Ashok Kondabolu. Proper nouns mentioned: George Washington, Britney Spears, Jenny Slate (a.k.a. the “Marcel the Shell” girl), and C. Mohan (Bollywood’s most iconic designer).
Fellow sci-fi writer Vandana Singh quizzes the award-winning, short-fiction master on his axiomatic approaches, paradigm shifts, and whether he would ever own a digient.
In an interview about his new book, State Out of the Union, author Jeff Biggers examines Arizona, the so-called “meth lab of democracy,” and the rogue state’s cycles of repression and resistance.
“The first real song I wrote was a book report for Lord of the Flies.”
“I absolutely did not set out to write a lesbian Cinderella. It wasn’t the story I intended to tell, so it took me a while to come around to the idea of telling it.”
The journalist and debut fiction writer chats with fellow Grantland writer Hua Hsu about his new neo-noir novel, grading papers, and Duck Down videos.
Ashok Kondabolu of Das Racist interviews Anil Dash, the blogger and technologist, at Financier Patisserie, near Astor Place.
Kitamura chats with Hermione Hoby about her new novel, a “collage of colonialism.”
“They say to write something new you’ve got to be lost.” An excerpted video conversation featuring the Pulitzer Prize winner and the author of Free Food for Millionaires.
Part two of an epic conversation between Ashok Kondabolu of Das Racist and Comedy Central comedian Sheng Wang.
In the first installment of his interview column, “The Cornering,” Ashok Kondabolu of Das Racist chats it up with Comedy Central comedian Sheng Wang. They also traipse the streets of Chinatown. Look out for part deux of this interview next week.
Ying Li talks to her novelist mother, Lin Chang, about the first Chinese-language TV show to be shot in the United States.
The transnational writer dishes about Law and Order, her favorite drinks, and less-than-romantic writing habits.
The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.
The Aerogrammes author chats about her preferred superpower and her love of Norton Anthologies.
The author of The Collective chats with AAWW executive director Ken Chen about windsurfing, his writing chair, and the best way to eat eggs.
Tonight, when you return, you / will be an American and I will still be a girl who needs / a translator to read in my mother’s language, my mouth full / of so few shapes. I fall into the habits of my mother, it’s true.
We’re looking for creative work about life in jail, prison, and immigrant detention.
For a film that positions itself as a watershed in the Asian American rom-com canon, when tasked with illuminating romance’s political valences, Crazy Rich Asians pulls up short.
We would like to collect information during your visit to help us better understand site use. This data is anonymized, and will not be used for marketing purposes. Read More on our Privacy Policy page. You can withdraw permission at any time or update your privacy settings here. Please choose below to continue.
