“To occupy this space, this body, is disorienting and at times disturbing, because you are never quite sure whose gaze truly sees you beyond the projections and assumptions and desires.”

Who’s keeping count of what’s given against what’s stolen? / There’s nothing I can’t trace back to my coarse immigrant blood.

Moroccan surrealist poetry, Dickensian Korean American fiction, Chinese mythology made new, memoirs of a post-Marcos Philippines, and more.

April brings post-Fukushima dystopias, memoirs of the writing life, post-modern meditations on alienation, mythic novels of the Iranian revolution, and more.