With only the moonlight, we could barely see what we’d tag. All around my tag were faded names, names we didn’t bother to read in the dark—our graffiti forebears. One day, we too would be unread.
Dickson Lam talks about cultural memory, cross-generational trauma, and familial separation in his new memoir Paper Sons.
The poet talks about her debut collection, sharing silenced histories in her writing, and being a “wild girl poet.”
Chinese American writer H.T. Tsiang’s final novel is a Marxist, feminist, pro-immigrant satire of the American Dream. It was published 80 years ago.
Author Jade Chang talks about her new novel ‘The Wangs vs. the World,’ subverting righteous immigrant stories, and asshole as an endearing term.
When Pearl River Mart closed earlier this year, it signaled long-expressed concerns over gentrification and rising rent prices in Manhattan’s Chinatown. What will its reincarnation bring?
‘I glanced curiously at the stranger. He looked old and frail. The sky outside the window seemed darker with his figure in profile. Though he was sitting next to us, he appeared to be somewhere else entirely.’
‘Bonita, that engineer from Spain who always worked late, must have gone home already. Yong looked down at his ironed shirt and felt disappointed—if he had done the third floor half an hour earlier he might have seen her.’
Coming to terms with my mixed-race heritage as a kid in Southern California’s largest Asian enclave
‘Wanting privacy in a police state was sheer stupidity’—to tell the stories of her family in China without the threat of censorship, Yang Huang had to look beyond Mandarin.
‘I remember when I first learned my ABCs. A is for apple, B is for bird, and C is for cat, but further experience taught me, that ABC means American Born Chinese.’
‘there was / my mother packaging miàn tiáo by the sink. / breath in the morning. breath in the afternoon. / the way history comes back to haunt me with / a plump fist. the way my mouth, a cave, opened / and closed.’
‘He doubts he has the capacity to uproot himself and start over in a foreign land at this age. But times of war and revolution have a tendency to embolden the meek, to electrify the confident.’
Writer-artist-professor Tan Lin talks fictive relatives, the narrative of an immigrant TV culture, and ‘becoming Chinese’ in America